“Travelogue” was Rauschenberg’s first collaboration with Cunningham and Cage since 1964. His design, called “Tantric Geography,” featured a row of wooden chairs mounted on white platforms separated by bicycle wheels. At the beginning of the dance this was dragged on stage by a rope, with the dancers seated on the chairs. Over the course of the dance, garments and accessories were added to the basic costumes of brightly colored leotards and tights, including large color-wheel fans, tin cans, banners, flags, and chiffon scarves. The dance had an episodic structure, with the dancers engaged in a series of antic encounters and deadpan entanglements. John Cage’s music, “Telephone and Birds,” incorporated recordings of bird songs and telephone calls made to numbers with recorded messages.